History of physical and social sciences, science studies, epistemology, history of technology, science and humanities, anthropology of science, intellectual history.
John Tresch is an historian of science and technology. Trained in anthropology and philosophy, his work explores the diversity of the sciences, especially in their interactions with other cultural formations. His work focuses on connections between cosmology, experience, social order, and ritual; changing methods, instruments, and disciplinary arrangements in the sciences, arts, and media; and shifting definitions of the rational and real.
His book, The Romantic Machine, set in France before the revolution of 1848, examined intersections between romanticism, science, industry, and utopian politics; it won the 2013 History of Science Society's Pfizer Award for Outstanding Book. His next book, Poe's Engineering: Twisted Visions, Incredible Facts, and the Forging of US Science, shows Edgar Allan Poe's technical obsessions in the light of scientists' efforts to institute authority over knowledge. Other ongoing projects include the study of cosmograms as a tool for comparative cosmology, notably in the Anthropocene and the digital age; and a study of contemporary neuroscience in its encounters with contemplative practices.
He has held fellowships at Columbia's Society of Fellows in the Humanities, Northwestern, the University of Chicago, the Max Planck Institute for History of Science, the Huntington Library, and the Cullman Center at the New York Public Library.
A more complete list with downloadable articles is here.
- Winner of Pfizer Award for Outstanding Book in History of Science, History of Science Society, 2013
- Named one of the Best Books of 2012 by The New Museum (NYC).
- Council for European Studies 2014 Book Award, Honorable Mention.
- Podcast discussion of The Romantic Machine with philosopher Simon Critchley at New York Public Library, October 2012
Audio/Visual, Grey Room Quarterly. Issue on media studies and history of science, co-edited with Mara Mills. Introduction and "The Prophet and the Pendulum: Popular Science and Audiovisual Phantasmagoria around 1848" (43), 2011.
“Gilgamesh to Gaga.” Lapham’s Quarterly, "Celebrity," Vol IV, No.1., pp.185-192, 2011.
"Experimental Ethics and the Science of the Meditating Brain." In Neurocultures: Glimpses into an Expanding Universe, Francisco Ortega and Fernando Vidal, eds.. Frankfurt: Peter Lang, pp. 45-64, 2011.
“Estrangement of Vision: Edgar Allan Poe’s Optics”. In Observing Nature- Representing Experience, The Osmotic Dynamics of Romanticism, 1800-1850, Erna Fiorenti, ed.. Berlin: Reimer Verlag, pp. 126-157, 2007.
“Cosmogram.” Interview with Jean-Christophe Royoux, in Cosmograms, Melik Ohanian and Jean-Christophe Royoux, eds.. Lukas and Sternberg. New York. pp. 67-76, 2005.
|Poe's Optics||209.54 KB|
|Humboldt's Instruments||3.11 MB|
|Cosmograms interview||1.17 MB|
|Mind and Life essay, Tresch.pdf||1.85 MB|